Stages in the evolution of music
Identifieur interne : 000E72 ( Main/Exploration ); précédent : 000E71; suivant : 000E73Stages in the evolution of music
Auteurs : William L. Benzon [États-Unis]Source :
- Journal of Social and Evolutionary Systems [ 1061-7361 ] ; 1993.
English descriptors
- Teeft :
- African music, Basic experience, Benzon, Benzon hays, Benzon rank, Bodily experience, Capo press, Chord structure, Classical music, Clynes, Cognitive, Cognitive culture, Conceptual tools, Cultural evolution, Different approach, Drummer, Elaboration, Ensemble passages, Ensemble pattern, Essentic, Essentic form, Essentic forms, European music, Everyday life, Expressive, Expressive culture, Expressive medium, Facial muscles, First phrase, First place, Fourth element, Fourth facet, Front line, General approach, Gestalt, Graphic designer, Harmonic, Harmonic area, Harmonic control, Harmonic elaboration, Harmonic relationships, Harmonic structure, Harmonic structures, Hays, High level decisions, Highest rank, Horizontal melodies, Horizontal songs, Human brain, Identification works, Important point, Improvisation, Improvisor, Impulse control, Independent control, Independent sources, Individual lines, Individual musicians, Individual patterns, Jazz melody, Jazz musicians, Jazz tune, Master drummer, Melodic, Melodic center, Melodic control, Melodic devices, Melodic elaboration, Melodic material, Melodic pitches, Melody, Musical form, Musical language, Musical line, Musical material, Musical meaning, Musical motifs, Musical situation, Musical sound, Nervous system, Nineteenth century, Oriental music, Other hand, Other percussionists, Outer world, Overall gestalt, Oxford university press, Percussionist, Physical medium, Pitch selection, Psychological defense, Rank, Recording technology, Rhythmic control, Rhythmic patterns, Sachs, Schuller, Sidney bechet, Solo, Sonata form, Source tune, Stringed instruments, Structural significance, Such songs, Swing improvisation, Swing jazz, Swing musicians, Tonal center, Tonality, Traditional jazz, Twentieth century, Various kinds, Vertical chords, Vertical music, Vocal cries, Voluntary control, Western music, William morrow, Wiora, Wiora talks, World music.
Abstract
Abstract: Culture elaborates expressive forms by developing ever more differentiated control over patterns in the expressive medium. In Rank 1 culture (preliterate), music evolves through control over rhythm. Rank 2 culture (literacy) gains control over melodic structure, whereas Rank 3 culture (Renaissance and after) adds harmonic elaboration to rhythm and melody. Within the twentieth century, jazz has followed a similar course, with rhythmic elaboration coming first in traditional jazz, then melodic control emerging in swing, and harmonic control with bop. Both classical music and jazz have much straining beyond the limits of Rank 3 harmonic control, but no clear Rank 4 forms (typified in some aspects by the computer age) have yet evolved.
Url:
DOI: 10.1016/1061-7361(93)90036-Q
Affiliations:
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Le document en format XML
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Benzon, 161 Second Street, Troy, NY 12180</wicri:regionArea><placeName><region type="state">État de New York</region></placeName></affiliation></author></analytic><monogr></monogr><series><title level="j">Journal of Social and Evolutionary Systems</title><title level="j" type="abbrev">SOCEVO</title><idno type="ISSN">1061-7361</idno><imprint><publisher>ELSEVIER</publisher><date type="published" when="1993">1993</date><biblScope unit="volume">16</biblScope><biblScope unit="issue">3</biblScope><biblScope unit="page" from="273">273</biblScope><biblScope unit="page" to="296">296</biblScope></imprint><idno type="ISSN">1061-7361</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">1061-7361</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>African music</term><term>Basic experience</term><term>Benzon</term><term>Benzon hays</term><term>Benzon rank</term><term>Bodily experience</term><term>Capo press</term><term>Chord structure</term><term>Classical music</term><term>Clynes</term><term>Cognitive</term><term>Cognitive culture</term><term>Conceptual tools</term><term>Cultural evolution</term><term>Different approach</term><term>Drummer</term><term>Elaboration</term><term>Ensemble passages</term><term>Ensemble pattern</term><term>Essentic</term><term>Essentic form</term><term>Essentic forms</term><term>European music</term><term>Everyday life</term><term>Expressive</term><term>Expressive culture</term><term>Expressive medium</term><term>Facial muscles</term><term>First phrase</term><term>First place</term><term>Fourth element</term><term>Fourth facet</term><term>Front line</term><term>General approach</term><term>Gestalt</term><term>Graphic designer</term><term>Harmonic</term><term>Harmonic area</term><term>Harmonic control</term><term>Harmonic elaboration</term><term>Harmonic relationships</term><term>Harmonic structure</term><term>Harmonic structures</term><term>Hays</term><term>High level decisions</term><term>Highest rank</term><term>Horizontal melodies</term><term>Horizontal songs</term><term>Human brain</term><term>Identification works</term><term>Important point</term><term>Improvisation</term><term>Improvisor</term><term>Impulse control</term><term>Independent control</term><term>Independent sources</term><term>Individual lines</term><term>Individual musicians</term><term>Individual patterns</term><term>Jazz melody</term><term>Jazz musicians</term><term>Jazz tune</term><term>Master drummer</term><term>Melodic</term><term>Melodic center</term><term>Melodic control</term><term>Melodic devices</term><term>Melodic elaboration</term><term>Melodic material</term><term>Melodic pitches</term><term>Melody</term><term>Musical form</term><term>Musical language</term><term>Musical line</term><term>Musical material</term><term>Musical meaning</term><term>Musical motifs</term><term>Musical situation</term><term>Musical sound</term><term>Nervous system</term><term>Nineteenth century</term><term>Oriental music</term><term>Other hand</term><term>Other percussionists</term><term>Outer world</term><term>Overall gestalt</term><term>Oxford university press</term><term>Percussionist</term><term>Physical medium</term><term>Pitch selection</term><term>Psychological defense</term><term>Rank</term><term>Recording technology</term><term>Rhythmic control</term><term>Rhythmic patterns</term><term>Sachs</term><term>Schuller</term><term>Sidney bechet</term><term>Solo</term><term>Sonata form</term><term>Source tune</term><term>Stringed instruments</term><term>Structural significance</term><term>Such songs</term><term>Swing improvisation</term><term>Swing jazz</term><term>Swing musicians</term><term>Tonal center</term><term>Tonality</term><term>Traditional jazz</term><term>Twentieth century</term><term>Various kinds</term><term>Vertical chords</term><term>Vertical music</term><term>Vocal cries</term><term>Voluntary control</term><term>Western music</term><term>William morrow</term><term>Wiora</term><term>Wiora talks</term><term>World music</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: Culture elaborates expressive forms by developing ever more differentiated control over patterns in the expressive medium. In Rank 1 culture (preliterate), music evolves through control over rhythm. Rank 2 culture (literacy) gains control over melodic structure, whereas Rank 3 culture (Renaissance and after) adds harmonic elaboration to rhythm and melody. Within the twentieth century, jazz has followed a similar course, with rhythmic elaboration coming first in traditional jazz, then melodic control emerging in swing, and harmonic control with bop. Both classical music and jazz have much straining beyond the limits of Rank 3 harmonic control, but no clear Rank 4 forms (typified in some aspects by the computer age) have yet evolved.</div></front></TEI><affiliations><list><country><li>États-Unis</li></country><region><li>État de New York</li></region></list><tree><country name="États-Unis"><region name="État de New York"><name sortKey="Benzon, William L" sort="Benzon, William L" uniqKey="Benzon W" first="William L." last="Benzon">William L. 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